Week 10: Design Speculations

With Tara Hanrahan

Working collectively (in our communities of practice) to explore the impacts and opportunities within the future of branding, through speculation.

Step 1: Orientate

Read through your assigned 2050 future scenario.
Discuss how your scenario might affect you as a branding designer.

Our group’s assigned future scenario

Think about how your discipline is impacted and connected.
Consider what systems it is part of and linked to.

What will you do as a brand designer to be proactive,
enterprising and agile in this future?

How will you communicate, connect and story-tell in this world? How will you remain curious, confident and resilient amidst future challenges?

Speculating the values & structure of this world
How does branding operate in this world?

Step 2: Construct

Map out a day-in-the-life of a brand designer within your scenario – consider these
prompts: What, Who, Where, When, How, Why…

A Day in the Life of a Brand Designer in this world

Step 3: Co-create & Share

Informed by your day-in-the-life narrative, co-create a speculative concept or artefact in your future world.

Visualise this as a social media post – you may show it as an image, message, advert, meme etc.

In a world where a new religion has emerged, people worship the forces of nature, such as water, wind, and rain. They teach their children the importance of respecting these resources, instilling values that emphasize careful usage. Strict rules govern the use of these natural resources, and everything is meticulously calculated.

In this society, listening to the sounds of nature is considered a form of devotion. Many species have already been lost, so hearing their sounds is regarded as a special privilege. Spotify has recognised this cultural shift and launched a new playlist featuring artists who incorporate animal and bird sounds into their music. This post is an artefact of this world in the future.

Reflections

This workshop prompted me to think about the future of branding and the design industry. We created an identity for a person working in this industry under an ethical scenario where laws are very strict. Brands are required to focus on customer relationship management (CRM), making ethical practices a rule rather than a choice. I initially felt that creativity and ethics are diiferent, making it challenging to integrate them. However, through our group discussions, I realized that in this future, this person has been conditioned to view creativity within the framework of being mindful of ethical considerations and resource usage. I now see that creativity and ethics are not separate; they can coexist. And now this is the lens through which I am currently viewing the industry.

Links:

Design Speculations / Tara Hanrahan presentation

Week 5: Introduction to Filmmaking

Workshop Task

Ask these questions before making the film:
Content & style –
Film/Animation?
Typography/text led?
Sound?
On screen talent?

Creative & Production –
Narrative & scripting – write it very simply & make sure to keep referring to it
Storyboard (your best friend) sketch out each scene – everything builds from this (music, pace & colour palette)
Casting
Music – Work on it as soon as you can 
Plan out the Budget
 
Inspiration –
Mainly found through insight 
Or else you can draw inspiration – in terms of how to communicate your idea (can be drawn from dance, music, art).

Things to consider:
Audience (make the film style appeal to them)
Tap into the skills of those around you
Don’t be scared to try something new 
Be on schedule – set the time for each part of the editing 

Tips from D&AD:
Don’t go with the obvious idea (in terms of video)
Keep it clean and simple
Brevity & clarity – Do you know if the video clearly conveys the core concept?
First focus on explaining succinctly, and then elaborate


Task: Choose a film (Anabelle) and create a one-minute film video based on the genre you received (Music Video)

Watching our ‘Annashake’ music video in class!


Watch the Annabelle music video made with iMovie.

Links:
Introduction to Filmmaking Async Slides
Filmmaking Workshop Padlet

Week 3: Audience Engagement/Behaviour Change

Behaviour Change Workshop

Task: Use either the ‘Three Brains’ Model or Cialdini’s Six Principles to map how behaviour change principles were effectively used in Amarula’s #NameThemSaveThem campaign.

Analyzing the #NameThemSaveThem campaign using the Three Brain Model.

Credits: Namrata Krishna (2025) Behaviour Change[Workshop]. UAL London College of Communication. 17 February.

Week 1: What do you want to do with your MA?

Workshop + Homework Task

I aspire to work with leading branding agencies such as &Walsh, Landor, Wolff Olins, and Pearlfisher—studios celebrated for their innovative approach to branding, as well as their expertise in packaging and advertising. Among the branding agencies identified through my Industrial Intellignce Audit, &Walsh stands out as my primary source of inspiration. As a women-led agency, their bold, unapologetic work speaks volumes. Jessica Walsh, in particular, has influenced me deeply through her fearless expression of opinions on sensitive social issues. I’ve followed her journey since she collaborated with Stefan Sagmeister, admiring projects like the Beauty book and Type of Feeling.

My ideal work environment fosters fresh, experimental branding over conventional corporate aesthetics. While collaborating with major clients is exciting, I am most drawn to studios that push creative boundaries and produce visually distinctive, culturally conscious work. I hope to join an agency that balances meaningful, not-for-profit projects with commercial endeavors. I am looking for a flexible role where I can apply my skills across branding, graphic design, illustration, and publication design while also delving into packaging, advertising, and motion. 

Through my MA, I intend to create branding work that feels bold and impactful, featuring strong visuals and experimental typography. While my current portfolio is versatile, I want to explore more art-direction led, branding-specific projects in a professional context. Award briefs provide the perfect opportunity for this growth. I have selected briefs that fill specific gaps in my portfolio: a pattern-based visual identity (Hearst), beverage branding (Suntory), art design and typography-focused packaging (Pentawards), and a campaign project with the potential to be a standout, career-defining piece (Yahoo).

For my strategy, I would like to take Jessica Walsh’s portfolio advice and focus on developing these four high-quality projects rather than prioritizing quantity. Additionally, I believe my past projects hold significant potential, and I plan to refine them based on insights gained throughout this term. I am also in the process of building my personal website, which I will update as I complete these projects, ensuring it reflects my evolving skills and creative direction.

Links:
MA GB+I Branding, Marketing and Design Research Resources
London + UK Design Groups / Branding Agencies /Advertising Firms
International Directory of Design Groups / Branding Agencies / Advertising Firms
Branding Agency Roles + Responsibilities